Finally, the Seq panel contains a 16-step sequencer/arpeggiator. There are 18 in total, covering the full range of possibilities from EQ/filters, to dynamics, time-based effects, modulation, and saturation.
Here you can combine any three of the included effects. Its purpose is to add a bit of depth and texture through a sub oscillator and a couple layers of noise. Pigments 3 also introduces a new utility engine which runs alongside whichever two primary engines you choose. You can shape the overall sound in the Synth panel using two different sound engines, each of which can run in Analogue, Wavetable, Sample, or the brand new Harmonic mode. The instrument itself breaks down into three main panels: Synth, FX, and Seq. Loading up one of these presets also gives a great first impression of Pigments as a whole the quality is as good as it gets, the sounds are rich and textured, and Arturia excels at unique synthesizers as much as they do with emulations. A massive collection of 1200 presets means you can explore endless possibilities-regardless of how deep your synthesis knowledge goes. Nearly anything is possible, from acoustic sounding plucks to jagged EDM bass lines, and washy choral pads to granular percussive jabs. Pigments gets its name from its vast sonic palette. Today we’ll check out Arturia Pigments 3, its latest updates, and whether it’s worth the supposed hype! Overview: Arturia Pigments 3 Virtual Instrument It debuted as recently as 2018, and has seen two major updates in a short period of time. Best known for their software recreations of classic hardware synthesizers, Pigments is Arturia’s first original soft synth. For over two decades, Arturia has been at the forefront of virtual instruments.
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